Analisis Poskolonial Novel Gadis Kretek Karya Ratih Kumala
Keywords:
Poscolonial, Gadis Kretek, NovelAbstract
The purpose of this study is to analyze the use of mimetic and subaltern forms carried out by the ruling class against the ruling class in the colonial setting of the novel Gadis Kretek by Ratih Kumala. The main source of this research material is the novel Gadis Kretek by Ratih Kumala which was published in 2019 and owned by PT Gramedia Pustaka Utama, a Jakarta-based company. The research data covers the origins of the novel in a postcolonial framework, social structure, epistemology, and the study of human behavior. The data of this study are qualitative, and descriptive statistics are used as a methodology. Documentation serves as a tool for collecting data in research. The findings of this study show that the magical realism depicted in the novel Gadis Kretek by Ratih Kumala has implications for various aspects of social organization, knowledge, and consciousness. Second. Ratih Kumala's novel Gadis Kretek depicts various categories of subalterns, such as those that arise from their interactions with oppressors and elite-subalterns.
References
Ali, M. R. (2005). Ilmu sejarah Indonesia. LKiS Pelangi Aksara.
Arichma, R. (2020). Stereotip dan resistensi dalam cerpen "Kalabaka" dan "Belenggu Emas" karya Iksaka Banu: Analisis poskolonial (Disertasi doktoral, Universitas Gadjah Mada).
Arikunto, S. (2013). Prosedur penelitian: Suatu pendekatan praktik. Rineka Cipta.
Hartono. (2005). Mimikri pribumi terhadap kolonialisme Belanda dalam novel Siti Nurbaya karya Marah Rusli: Kajian postkolonialisme. Jurnal Diksi, 12(2), 248–266. Pustaka Pelajar.
Hasna, M. (2020). Analisis poskolonial naskah drama Nyai Ontosoroh karya R. Giryadi dan kesesuaiannya sebagai materi ajar di SMA Negeri 6 Surakarta.
Kartodirdjo. (1990). Pengantar sejarah Indonesia baru: Sejarah pergerakan nasional. Gramedia.
Kumala, R. (2019). Gadis kretek. PT Gramedia Pustaka Utama.
Lastari, F. (2021). Unsur-unsur poskolonial dalam naskah drama Anak-anak Kegelapan karya Ratna Sarumpaet. Bastrando: Jurnal Bahasa dan Sastra Indonesia, 1(1), 36–50.
Misnawati, M. (2023). Melintasi batas-batas bahasa melalui diplomasi sastra dan budaya: Crossing language boundaries through literary and cultural diplomacy. Pedagogik: Jurnal Pendidikan, 18(2), 185–193.
Martono, N. (2014). Sosiologi perubahan sosial. PT RajaGrafindo Persada.
Nudin, L. S., Putro, S. S., & Yusar, D. (2021). Analisis poskolonial pada novel Tak Ada Esok karya Mochtar Lubis. Media Bahasa, Sastra, dan Budaya Wahana, 27(1), 538–546.
Nurfiana, E. (2021). Perlawanan hegemoni budaya di era globalisasi: Analisis isi poskolonial pada produk desain Instagram Kamengski. Komunikasiana: Journal of Communication Studies, 3(2), 91–108.
Pradhana, J. B. (2020). Analisis poskolonialisme Homi K. Bhabha terhadap Babymetal sebagai inferioritas Jepang (Disertasi doktoral, Universitas Gadjah Mada).
Ratna, K. N. (2008). Postkolonialisme Indonesia: Relevansi sastra. Pustaka Pelajar.
Ratna, K. N. (2015). Teori, metode, dan teknik penelitian sastra. Pustaka Pelajar.
Sari, A. L., Relian, R., & Andriani, R. C. (2023, November). Analisis isi poskolonial pada produk desain Instagram. Dalam Prosiding Seminar Nasional Desain dan Media (pp. 564–573).
Sugiyono. (2016). Metode penelitian kuantitatif dan R&D. Alfabeta.
Sulistiyani, N. D. (2022). Stereotip, ambivalensi, dan resistensi dalam novel Cheongnyeon Woo Jangchun: Analisis poskolonialisme (Disertasi doktoral, Universitas Gadjah Mada).
Yuniani, E., Yuwono, Y., & Mardiana, N. (2022). Analisis postkolonial dalam novel Kembali ke Desa karya Tri Budhi Sastrio. Magistra Andalusia: Jurnal Ilmu Sastra, 4(2).
