Turak Ngurah Ocin sebagai Ide Dasar Penciptaan Tari Kreasi

Authors

  • Numeri Beny Olala Universitas Palangka raya
  • Andi Arie Astuti Universitas Palangka Raya
  • Nawung Asmoro Grindraswari Universitas Palangka Raya

DOI:

https://doi.org/10.37304/jt.v6i1.20782

Keywords:

Budaya Dayak, Tari kreasi, Turak Ngurah Ocin

Abstract

Turak Ngurah Ocin is a dance creation that aims to preserve and introduce the culture of the Dayak Ngaju Ot Danum community through the representation of traditional women's activities in fishing using fishing gear such as buwu and takalak. The dance creation method used in this work includes three stages, namely exploration, improvisation, and forming. The exploration stage is carried out by collecting data through observations and interviews to develop dance concepts. In the improvisation stage, the stylist tries various possibilities of movement based on experiences and emotions related to traditional activities. Furthermore, in the forming stage, the improvised movements are arranged into a complete and meaningful dance composition. The result of this process is a 12-minute dance performance that emphasizes aesthetic, educational and local cultural values. This performance is a medium of artistic expression as well as a means of preserving Dayak culture for the younger generation. Recommendations from this work are the importance of applying structured creation methods and exploring local culture as inspiration in the development of performing arts.

References

Agustin, I. (2018). Manajemen Pertunjukan Tari Di Sanggar Sendayung Di Kecamatan Kampar Kiri Kabupaten Kampar Provinsi. Other thesis, Universitas Islam Riau.

Andrisr26. (2010). Maneser Panatau Tatu Hiang. Cipta Attribution Non-Commercial (BY-NC)

Asdana, F., & Jamilah, A. (2020). Proses Penciptaan Karya Tari “Addiction”. Artikel http://eprints.unm.ac.id/id/eprint/19182.

Firman. (2024). Analisis Pola Musik Karawitan di Tengah Era Digital. Artikel https://scholar.g oogle.com/scholar?hl=id&as_sdt=0%2C5&q=Analisis+Pola+Musik+Karawitan+di+Ten gah+Era+Digital&btnG=#d=gs

Husna, N., Kurnita, T., & Hartati, T. (2017). Fungsi Dan Penyajian Tarian Ratoh Duek Pada Sanggar Seni Seula weuet. Jurnal Ilmiah Mahasiswa Program Studi Pendidikan Seni Drama, Tari dan Musik, 11(2), 179.

Istikhomah, S. (2022). Tari Babukung Pada Upacara Kematian Suku Dayak Di Kabupaten Kotawaringin Timur Kalimantan Tengah. Jurnal Pemikiran Seni Pertunjukan, 10 (2), 8.

Prastya, A., Kurnita, T., & Fitri, A. (2017). Analisis Koreografi Tari Kreasi Jameun Di Sanggar Rampoe Banda Aceh. Jurnal Ilmiah Mahasiswa Program Studi Pendidikan Seni Drama, Tari dan Musik, 11(1), 6.

Rahayu, S. (2018). Kontribusi Dan Desain Implementasi Penguatan Pendidikan Karakter Melalui Pendidikan Seni Budaya Di Stitnu Al Hikmah Mojokerto. Jurnal Progran Studi PGMI. 5(2)

Restika, D., Syai, A., & Nurlaili. (2016). Bentuk Penyajian Tari Langkir Dehwer Di Kecamatan Teupah Selatan Kabupaten Simeulue. Jurnal Ilmiah Mahasiswa Program Studi Pendidikan Seni Drama, Tari dan Musik, 1(3), 241.

Rusdi, M. (2018). Transformasi Gerak Menyerang Dan Menghindar Pada Pencak Silat Pamur Melalui Bentuk Koreografi Tari. Artikel https://core.ac.uk/download/pdf/276 641039.pdf

Suaida., Larovianti, R., & Zebua, E. (2020). Dampak Teknologi Atas Nilai-Nilai Sosial Pada Tradisi Bekarang Sebagai Sumber Penciptaan Karya Tari Sangkut Dak Menyauh. Jurnal Melayu Arts and Performance. Volume 3, Nomor 1, April 2020: 82.

Suraya, A. D., Supadmi, T., & Hartati, T. (2016). Bentuk Penyajian Tari Zapin Pekajang Di Sanggar Buana Kota Banda Aceh. Jurnal Ilmiah Mahasiswa Program Studi Pendidikan Seni Drama, Tari dan Musik, 1(3), 224.

Syefriani. (2016). Tari Kreasi Baru Zapin Seribu Suluk Pada Masyarakat Pasir Pengaraian Kabupaten Rokan Hulu. Jurnal Pendidikan Seni, Drama, Tari dan Musik (Sendratasik), 3(1), 38.

Widiastuti, T. (2016). Proses Kreatif Penciptaan Tari Kecubung Karya Nurlela Badaruddin Pagaralam Sumatera Selatan. (Skripsi). Universitas Negeri Yogyakarta, Yogyakarta.

Yuniarvi, P.R. (2017). Struktur Dan Bentuk Tari Modern Semarang Dance Lovers. (Skripsi).

Universitas Negeri Semarang, Semarang.

Zairani, S.E., & Cahyono, A. (2020). Koreografi dan Fungsi Tari Gagrak Maritim Di Kampung Seni Kota Tegal. Jurnal Seni Tari, 9(2), 166

Published

2025-06-22

How to Cite

Beny Olala, N., Astuti, A. A., & Grindraswari, N. . A. (2025). Turak Ngurah Ocin sebagai Ide Dasar Penciptaan Tari Kreasi. Jurnal Tambuleng: Pendidikan Seni Drama, Tari Dan Musik, 6(1), 1–17. https://doi.org/10.37304/jt.v6i1.20782

Most read articles by the same author(s)

Obs.: This plugin requires at least one statistics/report plugin to be enabled. If your statistics plugins provide more than one metric then please also select a main metric on the admin's site settings page and/or on the journal manager's settings pages.